The fate-temptingly titled Broadway horror-show Spider-Man: Turn Off the Dark has thankfully shut down before any actual deaths of cast, crew or paying audience member. Sadly, not before stuntman Christopher Tierney was pronounced "lucky to be a live" by doctors, after he - let's just go ahead and quote The Wrap,
suffered a fractured skull, a broken scapula, a broken bone close to his elbow, four broken ribs, a bruised lung and three fractured vertebrae
and not before shattering the record for longest running show in previews (back in January).
The show was a disaster on just about every conceivable level, the fretting and joking about its abominable safety standards and technical amateurism serving to distract from a very basic set of creative failings. After last night's performance, the show is reportedly being retooled with a new book by Roberto Aguirre-Sacasa, two new songs by Bono and The Edge, and a new director, with an eye toward re-opening in June. While I am a great fan of Aguirre-Sacasa's work, I don't think anyone would hold it against Disney if they were to quietly walk away, particularly with such high-profile Spidey projects on the horizon such as The Amazing Spider-Man movie and the Ultimate Spider-Man animated series, which could easily recoup the money and good will already expended on Turn Off the Dark.